DUY GEBORD - ʤ / POINT#23

DUY GEBORD - ʤ
Released 17 January 2018
Limited edition of 50 copies / C34 cassette
POINTLESS GEOMETRY 2018 / POINT#23

Music by Duy Gebord
Recorded, mixed and mastered in 2017
Artwork by Nerka
Design by Copy Corpo




REVIEWS and PRESS

1 UCHEM / 1 OKIEM: "Nowa ekspresja (Elektroniczne emancypacje)" (Bartek Nowicki)
NOWAMUZYKA.PL: "Trzy smecze z Pointless Geometry" (Jarek Szczęsny)
POPUP MUSIC: "DUY GEBORD - ʤ" (Jakub Knera)





ʤ (voiced postalveolar affricate) is a sound used in some languages

what had previously been will return yet again dowsing hours in hourglass therefore hating all music until what had previously been will return yet again dowsing hours in hourglass therefore hating all music until what had previously been will return yet again dowsing hours in hourglass therefore hating all music until what had previously been will return yet again


Side A
1 Would return yet again
2 Dowsing
3 Hours in hourglass

Side B
1 ∴
2 Hating all music
3 Until
4 What had previously been




ENG
Radek Sirko - culture and media theoretician, music producer, sound artist and technician, label co-owner, director, curator. Doctoral intermedia student at University of Fine Arts in Poznań. Ministy of culture's scholarship holder; co-founder of Audile Snow: a label releasing experimental music on microSD cards. Author of Pogłos/Reverberation, a 2015 art documentary.
Duy Gebord - a poly-genre music project: experimental electronics, idm, techno, industrial, noise, acid, ambient, minimal, glitch. Significant releases: 'Mangrove' (Wounded Knife, 2014), 'Kelp' (Pawlacz Perski, 2014), 'Mildew' (BDTA, 2014), 'Qualm' (Audile Snow, 2015), 'Labyrinthine Hydrops' (Internet, 2016)


PL
Radek Sirko - producent i realizator dźwięku, muzyk, kulturoznawca, teoretyk, doktorant na Uniwersytecie Artystycznym w Poznaniu. Autor filmu Pogłos/Reverberation, współprowadzi label Audile Snow i współorganizuje cykl imprez Umór. Często współpracuje z Glissandem, Biurem Dźwięku Katowice i Trzecią Falą.
Duy Gebord - projekt muzyczny z pogranicza eksperymentalnej elektroniki, idm, techno, industrial, noise, acid, ambient, minimal, glitch. Eksplorujący różne techniki kompozytorskie: syntezę, preparowanie, aleatoryzm, analogowe i cyfrowe instrumenty, przypadkowe sample i audio cache, field recording, data bending i programowanie dźwięku.